BOOK SALES

In my feverish attempt to lay hands on every comics-related publication in the known universe, I often mistakenly acquire more than one copy of a single title. That is usually the case with the books I list here from time-to-time. I’m not really in the bookstore business. But when I’ve acquired duplicate copies, I offer them for sale to the first-taker at ridiculously low prices. When not duplicate copies from my collection, the books tend to be review copies or contributors' copies (sent in multiple copies, but I need only one for my archives). Most of these, in other words, are new books, often not even read—unless otherwise noted. The Rare books, on the other hand, tend to be second owner tomes. Generally speaking, the prices are about half the original price for the "recent" publications; the Old and Rare, however, are priced accordingly.

Shipping. For one book, the Media Mail p&h is $3; add $1 for each additional book. (Overseas, it’s $8 for the first book, plus $3 for each additional book.) Magazine shipping costs are different; see that section. If you’re interested in making a purchase, drop down below (to the very end) where you’ll find my e-mail (or go to the website’s front page), jot me a note, and I’ll give you ordering instructions and hold the book(s) for you for two weeks, pending receipt of your check.

All are paperback publications unless otherwise noted.

NEW ADDITIONS (November 2009—since the last booksale list in March 2007)

SPECTACULAR OFFER

Little Nemo in Slumberland: Many More Splendid Sundays (128 16x21-inch pages, full color reproduction the same size as the strip when originally publisihed; hardcover) by Winsor McCay, the second compilation of this exquisite comic strip, the Eisner Award winner from Sunday Press Books. I contributed a short essay for which I was sent two copies of the book; I have a use for only one (even though I have two eyes), and you, if you choose, are the beneficiary: priced at $125 in most places, here you can get this copy, never read or opened, for a mere $60, including postage (unless you’re overseas, in which case the price, including p&h, is $80).

Magazines, $3 each, plus $1 each for Media Mail; overseas, mailing is $4 each

Note: through No. 283, Comics Journal was $9.95; starting with No. 284, it was $11.95

Comics Journal, No. 275: interviews with David B., plus the Danish Cartoon Controversy, including reprints of the offending dozen; and the Best Comics of 2005

Comics Journal, No. 282: Alison Bechdel interviewed; and Fred Gardineer, plus Part I of RCHarvey’s review of the infamous Masters of Comic Art show

Comics Journal, No. 283: interview with Lewis Trondheim plus the second part of RCHarvey’s review of the Masters of Comic Art show

Comics Journal, No. 284: interview with the great Roger Langridge and a review of Thierry Groensteen’s The System of Comics

Comics Journal, No. 285: Darwyn Cooke interviewed, plus interviews with Erne Colon and Keith Knight

Comics Journal, No. 289 (beginning the “new format” for the magazine, which now looks like a paperback book): Robert Kirkman interviewed

Comics Journal, No. 292: interviews with the Deitch dynasty, Gene, Kim, Simon, and Seth

Comics Journal, No. 293: S. Clay Wilson interviewed, and Alex Robinson

Hogan’s Alley, No. 3 (originally $5.95): Fawcett’s Captain Marvel (C.C. Beck interviwed, plus a look at the rarly days of Fawcett comic books), reprinting Barney Google’s meeting with Snuffy Smith, Dilbert’s Scott Adams interviewed—and more, much more

Hogan’s Alley, No. 8: tribute to Charles Schulz, plus pieces on Frank Cho, Jeff MacNelly, Walt Kelly as a political cartoonist—and more

Hogan’s Alley, No. 9 (was $6.95): unpublished interview with Carl Barks, Archie, interview with Jim Meddick, creator of Robotman and Monty, and Fred Flintsone’s anniversary—and that just scratches the surface of this annual compendium of history and lore

Newspaper Comic Strip Reprints

Krazy and Ignatz: A Ragout of Raspberries (117 9x12-inch pages, color; Fantagraphics, 2008) by George Herriman; reprinting the color Sundays of 1941 and 1942; $9.

Prince Valiant: Volume I, 1937-1938 (110 10.5x14-inch pages, full color; Fantagraphics, 2009) by Hal Foster, the first in Fantagraphics’ second “complete reprinting” of this masterpiece, this time slightly larger and more faithful to color; $14.

Popeye, Vol. 2: Well, Blow Me Down (186 10.5x14.5-inch pages, b/w dailies, color Sundays; Fantagraphics, 2008) by E.C. Segar, reprinting 1931-32, both dailies and Sundays; $14.

Mary Worth by Allen Saunders and Ken Ernst, Dell pocketbook , first printing 1963; Ken Ernst’s classic years on the medium’s classic soap opera strip; $2

Tumbleweeds by Tom K. Ryan, Fawcett pocketbook, 1968; probably the first of many reprints of this strip; $2

50 Years of Beetle Bailey (128 8x9-inch landscape pages, b/w; paperback) by Mort Walker et al; 1,800 strips sampling each decade of the strip, some Sundays as well as dailies; $5

Beetle Bailey: 1950-1952 (280 8x10-inch landscape pages; hardcover) the first volume in the proposed “complete Beetle Bailey” reprint project, this one includes a brief biography of creator Mort Walker and a short history of the conception of the strip; $12.

Catch of the Day (128 8x9-inch pages, b/w; 2004 paperback) by Jim Toomey; the 8^th collection of Sherman’s Lagoon strips about a shark and his deep sea denizens that appear in about 200 newspapers; $5

Lio: Happiness Is a Squishy Cephalopod (128 8x9-inch pages, b/w and Sunday strips in color; paperback) by Mark Tatulli, perhaps the first Andrews McMeel compilation of this strip that chronicles the misguided nefarious and usually macabre doings of a small boy with a strange imagination; $5

The Long Road Home: One Step at a Time (102 6x8-inch pages, b/w one daily strip to a page; paperback) by Garry Trudeau; the first of two books tracing D.B.’s loss of his leg in Iraq and his subsequent counseling and rehabilitation by military agencies, for which Trudeau was repeatedly commended for both his compassion and his humorous accuracy in portraying the fates of wounded veterans of Iraq; $4

Little Orphan Annie (160 11x8.5-inch landscape pages, b/w; paperback), three volumes of the Fantagraphics series reprinting dailies and Sundays of Harold Gray’s celebrated comic strip: Vol. 3, 1933; Vol. 4, 1934; Vol. 5, 1935, each with an Introduction by Yrs Trly (Vol. 5, incidentally, includes the strips that introduced Daddy Warbucks’ famed sidekick, Punjab); $7 each (or $18 for all three).

The Complete Peanuts (340 8.5x7-inch landscape pages; b/w, hardcover), two volumes of the Fantagraphics series reprinting Charles Schulz’ famed strip, dailies and Sundays: 1969-1970 and 1971-1972, $12 each.

Garfield Minus Garfield (128 8x5-inch landscape pages, b/w; paperback) by Dan Walsh, who created the concept of reprinting Jim Davis’ strip without Garfield, thereby providing a curious and hilarious insight into the human predicament as exemplified by Garfield’s owner, Jon—all of which was enthusiastically endorsed by Davis; $5.

Mister Boffo: Unclear on the Concept (96 8x8-inch pages, b/w; paperback) by Joe Martin, 1989; $3

Zits: 2008 Calendar (desk type), reprints favorite comic strips by Jerry Scott and Jim Borgman even though the dates no longer apply; $1

Comic Book Reprint

Otto Messmer’s Felix the Cat: Keeps on Walkin’ (128 8.5x11-inch pages, color; paperback) by Otto Messmer, reprints from 1950s comics; $6

Political Cartoon Collections

The Best Political Cartoons of the Year: 2007 Edition (288 8x10-inch pages, b/w; paperback) edited by Daryl Cagle (liberal) and Brian Fairrington (conservative); the best cartoons from November 2005 through October 2006, including cartoons about the infamous Danish Cartoon Controversy; this is the best of the two annual collections of editoons and includes hundreds of cartoons; $8

The Best Political Cartoons of the Year: 2008 Edition (288 8x10-inch pages, b/w, paperback) edited by Daryl Cagle (liberal) and Brian Fairrington (conservative); the best cartoons from November 2006 through October 2007. More of the above; $8.

The Best Political Cartoons of the Year: 2009 Edition (286 8x10-inch pages, b/w, paperback) edited by Daryl Cagle (liberal) and Brian Fairrington (conservative); the best cartoons from November 2007 through October 2008, which ought to embrace the presidential election of 2008 but barely does because the same two editors produced a single tome on the election, so this one deals with what else was happening in the world in more than 1,000 cartoons by the nation’s best; $8

Mission Accomplished (198 10x7-inch landscape pages, b/w; paperback) by Khalil Bendib, an American Muslim, survivor of the infamous Battle of Algiers, who sees American culture and politics from a skewed but truth-laden perspective peculiar to his background; $7.

Herblock: A Cartoonist’s Life (416 7x10-inch pages, b/w; paperback), the autobiography of Herbert Block, one of America’s most celebrated political cartoonists, with 250 cartoons; $7.

A Life Up Front (390 7x10-inch pages, b/w; hardcover) the biography of Bill Mauldin by Todd DePastino, 2008, with lots of pictures and cartoons; $12.

Clueless George Goes to War!,(30 7x8-inch pages; paperback) editoonist Pat Bagley’s send-up of GeeDubya in the format of the beloved children’s book about a monkey; $2

Code Red (150 5x8-inch landscape pages; paperback) by Ed Hall, who is syndicated through DBR Media; $3

Gag Cartoon Reprint

The Complete Cartoons of the New Yorker (656 11x13-inch pages, b/w; paperback with flaps and with 2 CDs), the stupendous compendium that contains all 68,647 cartoons published in the magazine from the beginning through 2004; $25

Crazy Cartoons by VIP, Fawcett pocketbook, 1956 (3^rd printing 1962); these are from VIP’s best years with True magazine and Collier’s

It’s Still in the Family (128 8x10-inch pages, b/w; hardcover), a 1961 collection of gag cartoons by Stanley and Janice Berenstain, subsequently the Berenstain Bears duo; but these cartoons are all about kids and their mothers and fathers, the forte that initially brought the Berentains fame; rare, dust jacket photo tucked in, $5,

The PreHistory of The Far Side: A 10^th Anniversary Exhibit (288 8.5x10.5-inch pages, b/w plus some color; paperback) by Gary Larson, who herein explains the origins and evolution of his nefarious newspaper cartoon panel, a valuable historic document; $5.

The Dedini Gallery (128 7x10-inch pages, b/w; hardcover), one of the few collections of gag cartoons by the great Eldon Dedini; first edition, 1961; $8.

Mondo Bizarro (104 8x5-inch landscape pages, b/w; paperback), just the third collection of Dan Piraro’s oddly amusing cartoons; $2.

Graphic Novels

George Sprott (98 12x14-inch pages, two colors; hardcover, Drawn & Quarterly, 2009) by Seth, his latest graphic novel; $10

Asterios (332 8x10-inch pages, b/w with second color, variously; Pantheon,2009), David Mazzucchelli’s exploration of a strange reality; $10.

Vigilante: City Lights, Prairie Justice (40 6x10-inch pages, full color; paperback) by James Robinson and Tony Salmons; $8

Never Ending Summer (96 7x8.5-inch pages, b/w; paperback) by Allison Cole, who draws in a highly simplified manner; autobiographical account of Cole’s summer with some friends; $2

Smoke and Guns (92 6x10-inch pages, b/w; paperback) by Kirsten Baldock and Fabio Moon; when ambitious cigarette girl Scarlett starts selling cigarettes outside her district, gang warfare erupts between gangs of cigarette girls; $5

Feiffer’s Marriage Manual (64 6x8-inch pages, b/w; paperback) by Jules Feiffer; a 1967 collection of his cartoons on romance and marriage; $3

Zoot Suite (78 6x10-inch pages, b/w; paperback) by Andrew and Roger Langridge; not, strictly speaking, a “graphic novel” but, rather, a collection of one-, two-, and more-page comic strip stories; and if I don’t sell this, I’ll happily keep it as a second copy of the work of a cartoonist whose visual technique and sense of comedy is beyond compare (Roger); merely $5 for a work of graphic genius

The Fate of the Artist (96 6x8.5-inch pages, b/w and color; paperback) by Eddie Campbell, one of world’s hardest-working cartooners; autobiographical whimsey at its best; $7

Therefore Repent! (160 6x8-inch pages, b/w and heavily gray-toned; paperback) by Jim Munroe and Salgood Sam; what chaos prevails after the Rhapsody; $6

Sojourn: the Thief’s Tale (158 6x10-inch pages, color; paperback), a grand sword and scorcery tale by Ron Marz, penciled by Greg Land and inked by Jay Leisten; volume 4 of a series, it sez here; the protagonists are female this time, and surpassingly comely without being naked, which accounts for the charm if not the appeal; $7

Crecy (48 6.5x10-inch pages, b/w; paperback) by Warren Ellis, copiously illustrated by Raulo Caceres, one of those illustrators who specialize in drawing the tiniest details (the sort of thing Ellis seems to like best, judging from all his other graphic enterprises); a re-telling of a classic battle at Crecy, France, in 1346, after which, it sez here, “modern warfare changed forever”; $3

Blanga: Heroes of the Black Age (100 6x10-inch pages, b/w with one story in color; paperback) by various; a “collector’s edition” commemorating the 25^th anniversary of Onli Studios; $3

Streets of Glory (162 6x10-inch pages, color; paperback) by Garth Ennis illustrated by Mike Wolfer, who specializes in gore; a western set in 1899 about the last of the olde time bounty-hunters; $6

Incognegro (136 7x9-inch pages, b/w; hardcover) by Mat Johnson as drawn by Warren Pleece, a remarkably intricate plotting of a stunning story of racism, lynching and other injustices; $9.

Mad Man’s Drum: A Novel in Woodcuts (144 6x9-inch pages, b/w; paperback) by the famed Lyn Ward, who developed wordless pictorial storytelling; this is his first work, 1929, reprinted by Dover; $4.

Lucky Luke: Jesse James (48 8x11-inch pages, color; paperback) by Morris and Goscinny, one of the lively Lucky Luke series spoofing the American Western; $4.

Kings in Disguise (192 8x10-inch pages, b/w; paperback) by James Vance and Dan Burr, the classic tale of a cross-country quest among hoboes in the Depression 1930s; $6.

Seattle Laughs (112 8x11-inch pages, b/w; paperback) by various, edited by Shary Flenniken; among those represented in these tales about Seattle are Steve Greenberg, Colin Upton, J. R. Williams, Dennis Eichhorn, Jim Woodring, Donna Barr, Dan O’Neill, Pat Moriarity, Charles R. Johnson (before he became famous as a novelist), Roberta Gregory, and Trina Robbins—to name just a few who produced short stories, one- and two-pagers usually; with signed bookplate by Shary Flenniken, $4.

Brickman Begins (152 5x7-inch pages, b/w; paperback) by Lew Stinger with an introduction by Alan Moore (just to show you something of the caliber of the work); $2.

The Apocalipstix (150 5x7-inch pages, b/w; paperback) by Ray Fawkes and Cameron Stewart, who give us a well-drawn epic about a girl band turned superheroine to fight the end of the world; $2

Mona Street, 3 64 9x12-page paperbacks, “The Secret Books of Glamour, Glamour International Production”; all erotic comics by Frollo, all in Italian; the attraction is the artwork, exquisite drawings, many reproducing pencil sketches; each volume, priced individually at $5 each, is different, and the listing here distinguishes one from the other by citing the title of the first story in each:

1991: Entra in Scena Mona Street; mostly pencils but some inked b/w; $5

1991: Tith Massages, some pin-ups in color; mostly inked b/w; $5

1995 (ostensibly “volume 3"): Lezioni di Igiene, some pin-ups in color; otherwise, stories half-and-half, pencils and inks; $5

Picture Books

Milton Caniff: American Stars and Strips edited by Alberto Becattini and Antonio Vianovi (144 6x8-inch pages in paperback); one of a short-lived series of cartoonist mini-bios entitled Profili from Glamour International; includes a short biography (text in two languages, English and Italian) and lots of illustrations, some of them quite rare, from all phases of Caniff’s long career; $5

Sex, Rock and Optical Illusions (143 9x12-inch pages, b/w and color, hardcover; Fantagraphics, 2006) by Victor Moscoso, “master of psychedelic posters and comix,” one of the earliest of the underground geniuses with a collection of his posters and “comix strips”; $15.

Cowboy: How Hollywood Invented the Wild West (224 10x10-inch pages, color; hardcover; Reader’s Digest, 2002) by Holly George-Warren, illustrated history; $10.

The Women of Manara (84 9x13-inch pages, color; hardcover, Heavy Metal, 1995) by Milo Manara, erotic pin-up pix; $7

Calendar Girl: Sweet & Sexy Pin-ups of the Postwar Era (146 10x13-inch pages, color throughout; hardcover, Collectors Press, 2003) edited and annotated by Max Allan Collins, who has mustered here pages of calendar cuties from the late 1940s and early 1950s by Elvgreen, Moran, Mac Pherson, Munson, Elliot, Moore, Chriaka, and more; $17

Erotica: An Illustrated Anthology of Sexual Art and Literature (164 9x11-inch pages, color and b/w; paperback, Carroll & Graf, 1992) by Charlotte Hill and William Wallace; copiously illustrated text; $7

The Golden Days of San Simeon: A Portrait of Hearst’s Magnificent Castle and the Hollywood Stars Who Glittered There (164 7x10-inch pages, b/w; paperback, Murmar Publishing, 1971 & 1995) by Ken Murray, annotated photographs all about the fabulous part of the Press Lord’s life; $5

Books with No Pictures At All (or Very Few)

Forever Barbie (320-plus pages) by M.G. Lord, “the unauthorized biography of a real doll” (yup, that one); $3

Russ Meyer: The Life and Films (136 pages, b/w photos but mostly text; paperback, McFarland Classics, 1990) by David K. Frasier, short biography and long filmography; $4

Rare and Therefore Wonderful

Verdun Belle and Some Others (122 6x9-inch pages, b/w; hardcover, Grosset & Dunlap), dog stories by Alexander Woollcott illustrated by Edwina; 1928, some pages showing tan at the edges, which makes it all the more rare (originally published, same year, by Coward-McCann under the title Two Gentlemen and a Lady); $15

Terry and the Pirates (208 12x9-inch landscape pages, b/w; hardcover) by Milton Caniff; the first reprinting of the famed strip from Woody Gelman’s Nostalgia Press, it was this volume and a few others (Flash Gordon, Little Nemo, The Phantom) that inaugurated the first wave of classic comic strip reprints of the 1970s; the pages of this one are beginning to brown at the edges, and the dust jacket is tattered but present; the first 13 months of the dailies; $8.

All Embarrassed (110 5.5xl8-inch pages, b/w; hardcover Affiliated Lithographers, 1944; 1^st ed.) By William Steig, one of his earliest works of psychological profundity, with dust jacket (somewhat tattered); $5

The Collective Unconscience of Odd Bodkins (112 0x12-inch pages, b/w; Glide Publications, 1973) by Dan O’Neill, an early manifestation of the underground genius in this collection of his famed newspaper strip; $6.

Indoor Sports (64 9x6-inch pages, b/w, cardboard covers; n.d. but probably 1920s), Tad’s famous single-panel sports cartoon commenting upon many things other than sports; $10.

Research and Miscellaneous

Superman: The Complete History (192 8x10-inch pages, b/w & color; paperback) by Les Daniels, designed by Chip Kidd; the life and times of the man of steel as a character and as a product, including reprints of some stories and numerous special drawings, photographs, etc.; $9

Arguing Comics (200 6x9-inch pages; text with no illos; paperback), a collection of long-lost essays about comics and cartooning over the years from 1895 to 1972 or thereabouts; collected and edited by Jeet Heer and Kent Worchester, it includes Gilbert Seldes’ classic appreciation of Krazy Kat, Dorothy Parker’s mash note to Crockett Johnson and essays by Robert Warshow, Walter J. Ong, Leslie Fiedler, Gershon Legman and many others; $10

The Image of America in Caricature and Cartoon (236 8.5x9.5-inch pages, b/w some color; paperback), an extensively annotated catalog of an exhibition that started at the Amon Carter Museum of Western Art in Fort Worth and traveled around the country in the mid-1970s; text by Ron Tyler, who is otherwise unidentified but the history and notations seem authoritative and informed; $9

All-Star Companion (208 8.5x11-inch pages, b/w; paperback) edited by Roy Thomas, the world’s champion All-Star fan, who has collected here a vast history of the series, plus some rare and seldom-if-ever seen artwork; from TwoMorrows, $10.

Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix (196 10x10-inch pages, color; hardback, Harry N. Abrams) by Tim Pilcher with Gene Kannenberg, Jr. and a Foreword by Aline Komisky Crumb; the subtitle says it all, perhaps, although I could add that the early chapters, after beginning with “prehistory” of erotic art and the Romans and Japanese, go on through Aubrey Beardsley, the birth of pin-ups and WWII comics, then on to Playboy and its imitators, “Bondage Babes,” under-the-counter stuff and undergrounds, ending with overseas comics; chapters are often divided by cartoonist (4 pages by Dan DeCarlo followed by 4 pages of Bill Wenzel, 4 pages of Jack Cole followed by 4 of Bill Ward, f’instance); a $30 book originally, but here you can get it for $14

Unrelated to Comics but Still Fascinating

Delta of Venus, Erotica by Anais Nin of Henry Miller fame; $1

Little Birds, Erotica by Anais Nin, Henry Miller’s one-time mistress; takes up where Delta of Venus left off, it sez here; paperback, $1

The Greatest Book Ever Written, the famous book in which the Old Testament Story is re-told as a novel by Fulton Oursler; hardcover, $2

David Harum by Edward Noyes Westcott, hardcover (discarded library book)—everyone needs in his/her library a copy of the most-frequently-shelved book in America’s used book stores (few people actually own a copy of this, which makes it rare, valuable, and collectible); $1

The Happy Harvest, a novel by Brit author Jeffery Farnol in which his peculiar detective, Jasper Shrig, once again prevails; hardcover, $2

The More than Complete Hitchhiker’s Guide by Douglas Adams, complete and unabridged collection of Adams’ five works, beginning with The Hitchhiker’s Guide and ending with Young Zaphod Plays It Safe; hardcover, $5

The Computer Connection by Alfred Bester, renowned author of Stars My Destination, the sf book after which one needn’t ever read another sf book (except, perhaps, this one); hardcover, $2

Try and Stop Me: A Collection of Anecdotes and Stories, Mostly Humorous by Bennett Cerf, but the chief attraction in these parts is that it is illustrated by one of the best cartooners of the time, Carl Rose; hardcover, $3 (and Rose’s caricature of Heywood Broun is, alone, worth the price of admission)

The Wayward West, entitled after the newspaper humor column it reprints by the Denver Post’s Bill Barker, who also drew pictures of himself for the column, too few of which appear herein; nice short bits that you can read while enthroned on the nearest family crapper; hardcover, $2

20,000 Leagues Under the Sea or David Copperfield, humor by Robert Benchley, illustrated frequently by Gluyas Williams, which is most of the reason to own the book; hardcovser, $3

Mysteries

Fearless Jones, a new mystery by Walter Mosley, a new detective character by the creator of Easy Rawlins; hardcover, $10

Sign of the Book by John Dunning about a Denver cop who collects rare books; paperback, $2

Booked to Die, also by John Dunning about the same cop; paperback, $2

Rumpole and the Penge Bungalow Murders by John Mortimer; these are the crimes that tv’s Rumpole always said established his fame, dubious though it may be; paperback, $2

History

This Was Harlem: 1900-1950 by Jervis Anderson, paperback; $4

The World and the 20s: The Golden Yeas of New York’s Legendary Newspaper, reprints articles published in Pulitzer’s famed World during the decade, edited by James Boylan; hardcover, $5

The World Through a Monocle: The New Yorker at Midcentury by Mary F. Corey is an examination of the magazine and its influence in the years immediately after WWII and before its founding editor, Harold Ross, died; hardcover, $5

That Was the Life, a history of the famed photojournalism mag by Dora Jane Hamblin; paperback, $2

The Western Peace Officer: A Legacy of Law and Order by Frank Richard Prassel; paperback, $3

Biography

The Life and Legend of Gene Fowler by H. Allen Smith, who better to write the life of Fowler?; hardcover, $5

The Fine Art of Literary Mayhem: A Lively Account of Famous Writers and Their Feuds by Myrick Land; paperback, $2

Charles M. Russell: The Life and Legend of America’s Cowboy Artist by John Taliaferro, the first modern biography of my favorite American; hardcover, $10

A Texas Cow Boy, Or Fifteen Years on the Hurricane Deck of a Spanish Pony; “taken from real life by Charles A. Siringo, “an old stove up ‘cow puncher,’ who has spent nearly twenty years on the great Western cattle ranges”; published originally in 1885, this exact reprint regales us with the autobiography of an authentic “cow boy”; $4

Billy the Kid: The Endless Ride by Michael Wallis, who explains, finally, why Billy the Kid has three surnames; paperback, $3

I Never Left Home, Bob Hope’s earliest autobiography, copiously illustrated by Carl Rose, whose work is worth te price of admission alone; hardcover with dust jacket, $2

Everybody’s Pepys, an abridged version of the otherwise lengthy tome, this volume distinguished by the exquisite illustrations of Ernest H. Shepard; hardcover, $3

Mr. Nonsense: A Life of Edward Lear, very short (126-pages) with a few of his illustrations/cartoons, by Emery Kelen; hardcover, $2

Reference

An Incomplete Education by Judy Jones and William Wilson, a grand 680-page compendium of that vast arena, “miscellaneous information,” divided, here, fortunately, into chapters—Art History, Film, Music, Religion, etc.; hardback, $5

Ernest Hemingway on Writing, edited by Larry W. Phillips; paperback, $2

Book Row: An Anecdotal and Pictorial History of the Antiquarian Book Trade, focusing on the bookstores on Fourth Avenue just below 14^th Street in New York, now all gone except the Strand (Chapter 15), by Marvin Mondlin and Roy Meador; I know these places, I virtually lived in them during summers when I was studying at NYU for a Master’s—I visited each one once a week and made a list of the books I’d like to buy, then I’d come by on Fridays and buy the ones that hadn’t been sold yet (this was my budget-control maneuver); hardcover, $3

In Search of Memory: The Emergence of a New Science of Mind by Eric R. Kandel, Nobel Prize winner; hardcover, $5

Lies and the Lying Liars Who Tell Them: A Fair and Balanced Look at the Right by Al Franken (now a U.S. senator from Minnesota); how we all get bamboozled by the Bush Leaguers; hardcover, $5

AND NOW, RESUMING OUR PREVIOUS LISTING, THE LEFT-OVERS FROM THE JANUARY, APRIL, AUGUST AND MARCH SALES OF LONG AGO

NOTE: Prices of books left on this list from before January 2006 have been Reduced Drastically.

Rare and Therefore Wonderful

Striptease from Gaslight to Spotlight by Jessica Glasscock; all those old favorites from yesteryear, Tempest Storm et al; $10

Research and Miscellaneous

The Standard [Krause] Catalog of Comic Books by the Editors of the Comics Buyer’s Guide; 1^st edition of 2002, $8

GRAPHIC NOVELS & PICTURE BOOKS

Bighead (110 6x9-inch pages, b/w; paperback) by Jeffrey Brown, the usual scratchy-line satire that is so popular with fans; $3

The Fallen, Vol. 2 “Cold Reunion” by David Laaron Clark and David Rankin, “an intoxicating mix of words and pictures” said Skin Two; “visions of a tortured physical world with the dark sensuality of a fleeting dream” sayeth Juxtapoz, and I couldn’t say it better m’self; 9x12, $4

Waterwise (126 6x9-inch pages, b/w; paperback) by Joel Orff; young love and water, b&w, $3

Black Rust by Chad Michael Ward; spooky pictures (sometimes of barenekidwimmin) and occasional eerie text, $5

XXX Live Nude Girls: Pretty Like a Princess by Laurenn McCubbin and Nikki Coffman, a somewhat misleading title about slices of life, $2

Raptors, Vol. 3, by Dufaux and Marini; more vampires taking over the world, $4

House of Java (94 6x9-inch pages, b/w; hardcover), slice-of-life short stories by Mark Murphy, $3

Like a River (110 6x9-inch pages, b/w; paperback) by Pierre Wazem; a strange and affecting tale of alienation and reconciliations, $3

RARE AND THEREFORE WONDERFUL

Lady Loverly's Chatter by Mart Reb, a tiny (4x5") jewel of a mildly amusing, mildly risque novel, but its chief attraction, and the thing that inspires the price, are Fritz Willis' delicate pen-and-ink drawings of nekid ladies that illustrate the tale; pages turning brown but not yet brittle; with dust jacket nearly entact; hardcover, $30

All Women Are Wolves by Abner Silver, who describes 27 different kinds of female wolf and gets several notables (Earl Carroll, Jimmy Durante, W.C. Handy, even Hildegarde and others) to add their testimonies to the score, illustrated b&w throughout by the incomparable Russell Patterson (hence its attraction); hardcover, with dust jacket, $40

Let's Make Mary: Being A Gentleman's Guide to Scientific Seduction in Eight Easy Lessons by Jack Hanley but it's Charles L. McCann's b&w illustrations, his supple linear technique in full-pagers of toothsome wimmin, that makes this a hardcover bargain at merely $5

Father of the Bride, the classic novel by Edward Streeter, made even better in this case by being illustrated by the ever formidable Gluyas Williams, $4

Merry Christmas, Mr. Baxter, another Edwart Streeter novel, this one illustrated by Dorothea Warren Fox, whose quirky filigree lines are a joy; hardcover with dust jacket intact, $3

Stark Naked by Norton Juster with the usual outlandish comedic renderings from Arnold Roth that make the book the hilarity that it is; hardcover, first edition, $8

Gentlemen Prefer Blondes by Anita Loos, “intimately illustrated” by the suicidal Ralph Barton; 1925 hardcover, $9

The Jumping Frog by Mark Twain (“in English then in French, then clawed back into civilized language once more by patient unremunerated toil”), illustrated by F. Strothmann; Dover paperback, 1971; $3

MAGAZINES

Add Shipping Cost for Media Mail, $1 each; overseas, $4 each

Heavy Metal, September 1997, "Aphrodisia" by Serpieri, a Julie Strain gallery, and "Ranx 3: Amen" by Liberatore, Tamburini and Chabat; $5

Antique Vintage Mag:

Esquire, "Holiday Issue," January 1947, which includes, in addition to the usual array of cartoons by Dedini, Price, Webb, Tobey, etc., twelve calendar girls by J. Frederick Smith (no calendars, though—just the girls); $10

BOOKS THAT DON'T HAVE ANYTHING TO DO WITH COMICS

Except that the illustrator(s), when there is one, is/are often of interest

3 Henry Millers: The Intimate Henry Miller, Henry Miller on Writing and The Colossus of Maroussi, by the author of Tropic of Cancer and Tropic of Capricorn; all three, $4

A Pretext for War, James Bamford's minute-by-minute review of 9/11, hardcover, $4

Is Our Children Learning? Paul Begala's "case against George W. Bush,” $2

Dude, Where's My Country by Michael Moore (yes, that Michael Moore), hardcover, $9

A Reporter's Life, Walter Cronkite's autobiography; hardcover, $9

Lost in the Horse Latitudes by H. Allen Smith, illustrated by Leo Hersfield (a classic), worn hardcover, $2

The Woman Who Wouldn't Talk, Susan McDougal's recounting of her ordeal at the hands of Ken Starr et al; library discard/sale, hardback, $4

Out of the Old Rock, tales of the Old West by J. Frank Dobie; hardcover, $6

RC_Harvey@Q.com

Drop me a note, telling me which books you are interested in, and I’ll tell you whether they're still available and give you ordering instructions and hold the book(s) for you for two weeks, pending receipt of your check.

To find out about Harv's books, click here.